Lanfranco Aceti

OCR in collaboration with the International Association for Visual Culture, Arts Administration @ Boston University and the Museum of Contemporary Cuts is proud to announce that Prof. Nicholas Mirzoeff will deliver the keynote address for the conference section titled Revolutions, Free Speech, Radicalization and Social Media for THE SOCIAL @ Boston University. This particular session of the conference will discuss and analyze "if contemporary social media have ushered in

THE SOCIAL is the title of the 4th International Association for Visual Culture Biennial Conference (IAVC2016@Boston). You can visit the conference site at OCR Visual Culture 2016. IAVC2016@Boston invites papers, presentations, interventions, collaborations, and events from researchers, artists, academics, curators, and activists on post- democracy, post-society, anger, violence, future visions, crisis, zombie democracies, social media, neo-slavery, post-capitalism, post-data, social evolution, revolution, actionism, post-state, interventionism, cannibalizing corporativism,

OCR (Operational and Curatorial Research), the IAVC (International Association for Visual Culture) and Boston University are proud to announce that The Clark Art Institute’s Research and Academic Programs will offer travel fellowships to three contributors to the International Association for Visual Culture’s biennial conference. The conference THE SOCIAL will be held at Boston University, September 29th-October 1st, 2016. Three travel Fellowships are available to cover travel,

The IAVC Grad Forum invites proposals for “flash” presentations of research by current and recent graduate students in visual culture and related fields as part of the IAVC 2016 Conference: THE SOCIAL. Particular attention will be given to research engaging questions of migration, hospitality, art and politics, and ecological transformation across time and space. We are offering a platform for an open transnational dialogue between

Black Sheep Talks, a production of the Museum of Contemporary Cuts (MoCC) and Arts Administration @ Boston University, with Tamiko Thiel in its second podcast. Tamiko Thiel is a visual artist exploring the interplay of place, space, the body and cultural identity. She expresses herself in a variety of media including digital prints, videos, interactive 3D virtual worlds and augmented reality. A founding member of the

If you are attending the TransCultural Exchange Conference get in touch for an interview. The Museum of Contemporary Cuts in collaboration with Arts Administration @ Boston University is announcing a call for interviews for the Black Sheep Talks during the TransCultural Exchange Conference. These interviews will take place February 25-27 on location at the conference and will be placed online over the following months. If you are interested in

Black Sheep Talks, a production of the Museum of Contemporary Cuts (MoCC) and Art Administration @ Boston University, launches its first podcast with an interview of augmented reality artist Mark Skwarek.  Mark Skwarek is an artist working to bridge the gap between virtual and physical world with augmented reality. His art explores the translation our everyday digital experience into the physical world using mobile augmented

“Ba, ba, black sheep, and all the rest of it! Here’s a poor tainted mutton for you, without the wind being in the least tempered to him!” (Edmund Yates, Black Sheep, 1868) I am very happy to announce that The Museum of Contemporary Cuts (MoCC) in collaboration with Arts Administration @ Boston University has launched the Black Sheep Talks. Black Sheep Talks is a series of podcast interviews embracing the notion