(English version below.) Nel 2023, la città di Taranto ospitò due mostre al Palazzo Pantaleo e una nuova opera commissionata per l'occasione dal titolo: Collasso. Un’opera questa che chiedeva al visitatore non solo di osservare, ma di confrontarsi attivamente con il suo significato. Esibita al CRAC Puglia sotto la direzione artistica di Giulio De Mitri, e come parte della mostra Monumental Elements a Palazzo
Lanfranco Aceti’s The Crocodile’s Lament continues his ambitious four-part series exploring the environmental and cultural crises of our time. Following The Home of the Crocodile and leading to A River of Crocodile Tears and The Flight of the Crocodile, this second chapter focuses on the Tiber River, transforming it into a site of memory, resistance, and renewal. In collaboration with Tevereterno, IPER Festival delle
Lanfranco Aceti’s The Crocodile’s Home confronts the intertwined environmental and cultural crises of the 21st century through the intimate lens of the home. Premiering in the spring of 2024 with a thought-provoking installation at the Museo dell'Altro e dell'Altrove (MAAM) in Rome, the project transforms rivers—often dismissed as mundane elements of the landscape—into powerful loci of refuge, memory, and contested identity. Aceti employs the
“[…] hunc inter fluvio Tiberinus amoeno verticibus rapidis et multa flavus harena in mare prorumpit […]” Virgil. What remains of the mythology of the blonde Tiber, strictly linked as it is to the birth of Rome and over 2000 years of history, as its waters dwindle season after season? Lanfranco Aceti’s A River of Crocodile Tears dives into the heart of his four-part series
Digital Media and Democracy, aka From Democracy to Post-Citizenship is a panel I am organizing at MIT for the Media in Transition 10 conference entitled Democracy and Digital Media with the assistance of Rob Halperin. The panel was developed following the encouragement of Professor William Uricchio, Department of Comparative Media Studies at MIT. The panel seeks to engage with and discuss issues related to contemporary
But I Can't Help Myself: Against the Resurgence of the Millennial Issues of Ignorance and Idiocy is Lanfranco Aceti's inaugural lecture at the Academy of Media Arts Cologne (KHM). The lecture focuses on the role of contemporary politics in reshaping our understanding of society and the modalities for practicing art. Professor Aceti introduces a series of concepts and frameworks to define his aesthetic approaches
Where Is Space? is a conversation between Professor Vincent Brown (Harvard) and Professor Lanfranco Aceti (MIT and BU) on issues of space and its relationship to the construction of contemporary visual, literary, and historical contexts and narratives. Professor Brown will talk about space, time, and slavery in the context of contemporary digital media and discuss these topics with professor Aceti. The lecture will take
Disobedient, Discontented, and Disruptive: Politics of Aesthetic Resistance and Resilience is a presentation by Professor Lanfranco Aceti at Art, Culture and Technology (ACT) @ MIT. The presentation, on Tuesday, February 13, 2018, is part of ACT luncheon series and engages faculty and students with the affiliate's research and thought processes in the creation of new scholarly works, curatorial projects, or personal exhibitions. “The repressed
Remainders at the End of a Summer Bliss, by Lanfranco Aceti, is a curatorial essay that surveys Bill Balaskas’s exhibition, Remains of a Summer Bliss, at the Kalfayan Galleries, Athens and Thessaloniki. Featured on their new platform, Contemporary Arts and Cultures (CAC), the essay is published by the Leonardo Electronic Almanac (LEA), MIT Press. In a globalized context of ruthless capitalism, this curatorial essay
It's Time is a conversation between Prof. Sean Cubitt (Goldsmiths and Harvard) and Prof. Lanfranco Aceti (MIT and BU) on issues of time and its relationship to the contemporary databased and mediated narratives. The lecture will take place in the Plimpton Room, Barker Center, Room 133, Harvard University on Monday, December 4, 2017, from 6:30pm to 8:00 pm. Inspired by Italo Calvino's Six Memos for
