A new special issue titled Death, Memory and the Human in the Internet Era has been published as part of the journal Mortality: Promoting the Interdisciplinary Study of Death and Dying (Taylor & Francis). Editors of this issue were: Connor Graham and Alfred Montoya. Contributors: Lanfranco Aceti, Michael Arnold, Louis Bailey, Jo Bell, Gregory Clancey, Masato Fukushima, Martin Gibbs, Connor Graham, David Kennedy, Tamara Kohn,
Cut Out or Cut In? A Reflection on Contemporary Insurrectional Art and Media is the talk and panel that will launch the special issue titled "CUT" of the Journal of Visual Culture, which is edited by Lanfranco Aceti, and features contributions by Bill Balaskas, Marina Gioti, Katerina Koskina, Nikos Navridis, Poka-Yio, Artemis Potamianou, Maria Tsagkari, Maria Tsantsanoglou, Stefanos Tsivopoulos, Kostis Velonis and Yorgos Zois. Before
CUT is the themed issue of Journal of Visual Culture. The issue is a collaboration with the Museum of Contemporary Cuts and is supported by Boston University and Kalfayan Galleries, Athens - Thessaloniki. International contributors provide a range of perspectives on the contemporary crisis and its results questioning how the arts and social structures are being affected by the financial cuts. Contributors come from a
Crossing the Line: Rituals and Realities of Life and Death in the Contemporary Mediterranean is my new essay presented at Harvard University for the conference Spaces, Scales, and Routes: Region Formation in History and Anthropology. The conference is convened by Professor Vincent Brown and Professor Ajantha Subramanian and it is an important analysis of contemporary social practices globally and in the Mediterranean. The conference seeks
This is the new LEA book titled Interference Strategies, Volume 20 Issue 2. ISBN: 978-1-906897-32-1. ISSN: 1071-4391. Date of Publication: April 15, 2014. Number of Pages: 157. Book Editors: Lanfranco Aceti and Paul Thomas. In this particular volume the issue of art as interference and the strategies that it should adopt have been reframed within the structures of contemporary technology as well as within the
Red Art: New Utopias in Data Capitalism is the first edited book, part of a series, by the Leonardo Electronic Almanac (Leonardo/ISAST, MIT Press). Red Art: New Utopias in Data Capitalism was edited and has introductions by Lanfranco Aceti, Bill Balaskas, Susanne Jaschko and Julian Stallabrass. The Leonardo Electronic Almanac (LEA) is proud to announce the publication of its first LEA book, available on Amazon
Red Art: New Utopias in Data Capitalism, Volume 20 Issue 1. ISBN: 978-1-906897-20-8. ISSN: 1071-4391. Date of Publication: January 15, 2014. Number of Pages: 250. Book Editors: Lanfranco Aceti, Bill Balaskas, Susanne Jaschko and Julian Stallabrass. The print issue of the LEA Book Red Art: New Utopias in Data Capitalism, Volume 20 Issue 1, is available on Amazon. The Leonardo Electronic Almanac (LEA) is proud
Beware of Cutting Down Trees: Contemporary Politics and Aesthetics between Ideal Matriarchal Democracy and Real Patriarchal Dictatorships is the title of the lecture I will be presenting for the Master Lecture Series at the Centre for Fine Art Research (CFAR), Birmingham Institute of Art and Design. The Director of CFAR, Professor Johnny Golding, will chair the event. The lecture will analyze the mythological role of
This is the title of a talk at Art-Athina on Sunday, May 18, 2014, from 15:30 to 16:00. The talk is chaired by Artemis Potamianou, Director of Platform Project @ Art-Athina, and will focus on the aesthetic representation of anger as an 'uncouth,' disruptive and rebellious act that infringes and impinges upon the codified rules of good behavior and civilized life. The talk will question
This was my keynote for the conference Real Time Visuals organized by Steve Gibson. It was a great event over two full days, filled with activities, lectures, performances, music and, of course, live visuals. Great people from all areas that converged for a two days series of exchanges and future projects. My keynote was a comparative analysis between historical 'transdisciplinary' architectonical practices and contemporary live
