In a contemporary world of suppositions presented as a healthy suppository of systemically administered fact, the current exchange and special relationship between the United Kingdom and the United States of America is providing exciting new prospects. The UK has proposed to offer Oboddaddy 1, by Sarah Lucas, as an instrument of justice to beat down efforts of fake news and propaganda alike. Oboddaddy 1, a
One of my new essays is out and is entitled Wet Me: Cupio Dissolvi ad Nubes et Lumina, for the issue of Leonardo Electronic Almanac titled Cloud and Molecular Aesthetics published by MIT Press. I also edited the full volume with Paul Thomas and Edward Colless. Thanks, in particular go, to two new members of LEA Team of assistant editors: Candice Bancheri and Ashley Daugherty. It is
Cloud and Molecular Aesthetics is a volume that situates a critical discourse on the molecular data–cloud and aesthetics within contemporary experiences of art and society. It reflects varied perceptions and current thinking by artists, curators, scientists, and theorists in comprehending the appropriation and colonization of the cloud. The cloud can be seen as a veiling of information, where it becomes clouded, foggy, fuzzy, obscure, or
As part of its worldwide interventions and art engagements, the Museum of Contemporary Cuts presents ad nauseam at documenta 14 by international artist and activist Willem Jan Smit (NL, ES, DE). Ad nauseam is Willem Jan Smit’s redux from an exhibition of documentary sculpture in Athens titled THEY WERE SHOWN THE DOOR IN A MATTER OF MINUTES, which was received with great critical acclaim and
What is a protest? And what does it mean to picket, to resist, to respond, and to give voice to one’s social and political concerns? In the wake of growing political uncertainty and the news of the United States withdrawal from the global Paris climate accords, a protest will occur from dawn to dawn, starting on June 3 at 5:12 am to June 4
As part of its ‘FEATURED’ artist series for the Platforms Project in Athens, the Museum of Contemporary Cuts presents the international artist and activist, Willem Jan Smit. “The choice fell on Mr. Smit,” explained the curator Lanfranco Aceti and the artistic director Artemis Potamianou, “since his practice has been dealing for many years now with issues of rejection, remainder, and reminder. Through a contradictory embrace
For the Platforms Project in Athens, the Museum of Contemporary Cuts presents an international exhibition consisting of two works by two different artists strategically placed in opposition to one another. The two artists, Lanfranco Aceti and Yiannis Melanitis, challenge each other through a series of colloquia that, while rooted in incommunicability, isolation, and censorship, nevertheless speaks of contemporary notions of freedom, democracy, and understanding. Both
Affirmative Re-Action, curated by Lanfranco Aceti and Candice Bancheri for the Museum of Contemporary Cuts, is the latest art project by American conceptual artist, Jay Critchley. Rooted in the long tradition of twentieth-century art, the artwork is a recycling and re-hanging of Provincetown’s historical street banners. These large plasticized banners announcing cultural events and/or displaying advertisements are a staple of contemporary society and towns the
100 Days Urn is the newest artwork to be placed on The Fifth Column of the White House. "The urn has been produced by the internationally renowned British artist Grayson Perry. It will collect metaphorically, and perhaps one day even physically, the ashes of the first one hundred days of the Trump presidency. It will act as a repository of all that is incredibly wrong in
Italy gives the middle finger to the US. A recent addition to the White House lawn in the form of a sculpture presented to the US by Italy is causing quite a stir. "This is a gift made to the American people," said the mayor of Milan. “We are depriving one of our most beautiful squares of a memorable piece of art,” he explained “and
