WHERE IS THE PROBLEM?
“[....] there are all the folds that come from the Orient—Greek, Roman, Romanesque, Gothic, classical folds .... But it twists and turns the folds, takes them to infinity, fold upon fold, fold after fold. [....] is the fold that goes on to infinity.” Gilles Deleuze,
SHIMMER
SHIMMER is a new solo show by Lanfranco Aceti and Willem Jan Smit who came together under the curatorial framework of Irini Papadimitriou, curator at the Victoria and Albert Museum. The two artists merged their aesthetic practices for SHIMMER and generated for the Museum
SUPPOSITORY
In a contemporary world of suppositions presented as a healthy suppository of systemically administered fact, the current exchange and special relationship between the United Kingdom and the United States of America is providing exciting new prospects. The UK has proposed to offer Oboddaddy 1, by
WET ME
One of my new essays is out and is entitled Wet Me: Cupio Dissolvi ad Nubes et Lumina, for the issue of Leonardo Electronic Almanac titled Cloud and Molecular Aesthetics published by MIT Press. I also edited the full volume with Paul Thomas and Edward Colless. Thanks,
CLOUD AND MOLECULAR AESTHETICS
Cloud and Molecular Aesthetics is a volume that situates a critical discourse on the molecular data–cloud and aesthetics within contemporary experiences of art and society. It reflects varied perceptions and current thinking by artists, curators, scientists, and theorists in comprehending the appropriation and colonization of
AD NAUSEAM
As part of its worldwide interventions and art engagements, the Museum of Contemporary Cuts presents ad nauseam at documenta 14 by international artist and activist Willem Jan Smit (NL, ES, DE). Ad nauseam is Willem Jan Smit’s redux from an exhibition of documentary sculpture in